藏毯英文介绍求与藏毯有关的术语或句子段落,越多越好,好的话有追加分,

藏毯英文介绍求与藏毯有关的术语或句子段落,越多越好,好的话有追加分,
藏毯英文介绍
求与藏毯有关的术语或句子段落,越多越好,好的话有追加分,

藏毯英文介绍求与藏毯有关的术语或句子段落,越多越好,好的话有追加分,
Tibetan rug making is an ancient,traditional craft.Tibetan rugs are traditionally made from Tibetan highland sheep's wool,called changpel.Tibetans use rugs for many purposes ranging from flooring to wall hanging to horse saddles,though the most common use is as a seating carpet.A typical sleeping carpet measuring around 3ftx5ft (0.9m x 1.6m) is called a khaden.
The knotting method used in Tibetan rugmaking is different from that used in other rug making traditions worldwide.Some aspects of the rug making have been supplanted by cheaper machines in recent times,especially yarn spinning and trimming of the pile after weaving.However,some carpets are still made by hand.The Tibetan diaspora in India and Nepal have established a thriving business in rug making.In Nepal the rug business is one of the largest industries in the country and there are many rug exporters.Tibet also has weaving workshops,but the export side of the industry is relatively undeveloped compared with Nepal and India.
The carpet making industry in Tibet stretches back hundreds if not thousands of years,yet as a lowly craft,it was not mentioned in early writings,aside from occasional references to the rugs owned by prominent religious figures.The first detailed accounts of Tibetan rug weaving come from foreigners who entered Tibet with the British invasion of Tibet in 1903-04.Both L Austine Waddell[1] and Perceval Landon[2] described a weaving workshop they encountered near Gyantse,en route to Lhasa.Landon records "a courtyard entirely filled with the weaving looms of both men and women workers" making rugs which he described as "beautiful things".The workshop was owned and run by one of the local aristocratic families,which was the norm in premodern Tibet.Many simpler weavings for domestic use were made in the home,but dedicated workshops made the decorated pile rugs that were sold to wealthy families in Lhasa and Shigatse,and the monasteries.The monastic institutions housed thousands of monks,who sat on long,low platforms during religious ceremonies,that were nearly always covered in hand-woven carpets for comfort.Wealthier monasteries replaced these carpets regularly,providing income,or taking gifts in lieu of taxation,from hundreds or thousands of weavers.
From its heyday in the 19th and early 20th century the Tibetan carpet industry fell into serious decline in the second half of the 20th.Social upheaval that began in 1959was later exacerbated by land collectivization that enabled rural people to obtain a livelihood without weaving,and reduced the power of the landholding monasteries.Many of the aristocratic families who formerly organized the weaving fled to India and Nepal during this period,along with their money and management expertise.
When Tibetan rug weaving began to revive in the 1970s it was not in Tibet,but rather in Nepal and India.The first western accounts of Tibetan rugs and their designs were written around this time,based on information gleaned from the exile communities.[3][4] Western travelers in Kathmandu arranged for the establishment of workshops that wove Tibetan rugs for export to the West.Weaving in the Nepal and India carpet workshops was eventually dominated by local non-Tibetan workers who replaced the original Tibetan 茅migr茅 weavers.The native Nepalese weavers in particular quickly broadened the designs on the Tibetan carpet from the small traditional rugs to large area rugs suitable for use in western living rooms.This began a carpet industry that is important to the Nepalese economy even to this day,even though its reputation was eventually tarnished by child labor scandals during the 1990s.
During the 1980s and 1990s several workshops were also re-established in Lhasa and other parts of the Tibet Autonomous Region,but these worokshops remained and remain relatively disconnected from external markets.Today,most carpets woven in Lhasa factories are destined for the tourist market or for use as gifts to visiting Chinese delegations and government departments.Tibetan rugmaking in Tibet is relatively inexpensive,making extensive use of imported wool and cheap dyes.Some luxury rug makers have found success in Tibet in the last decade,but a gap still exists between Tibet-made product and the "Tibetan style" carpets made by businesses in South Asia.
Tibetan carpets from the 19th century (perhaps earlier,though mostly carpets from the 19th century survive) are relatively restrained in terms of design and coloring,carpet makers at that time being restricted to a narrow range of natural dyes including madder (red),indigo (blue),Tibetan rhubarb (yellow) and Tibetan walnut (browns and greys),with a few other local plants producing yellow and greenish colors.Motifs consisted of two classes:the first type being simple geometric motifs such as the checkerboard and gau (amulet) design that probably formed part of an ancient Tibetan design repertoire,mingled with medallion designs and other motifs derived fromChinese decorative traditions.
From the early 1900s a wider range of synthetic colors became available to Tibetan weavers,and this seems to have stimulated the production of new and more complex designs,also based loosely on traditional Chinese motifs.The period of 1900-1950 saw the production of many colorful new designs featuring dragons,phoenix,floral motifs,clouds and so on.Though the main influence was Chinesewestern textile designs were also copied occasionally.These designs still form the core of the Tibetan weaver'srepertoire today.
In Lhasa,rug stores cater to both to local,national,and international tourists.Dark red Turkish imitations from factories in Qinghai are sold alongside other Chinese rugs and even silk carpets with Middle-eastern designs.Amongst local Tibetans,replicas of traditional Tibetan designs from machine-woven polyester are popular inexpensive alternatives to hand-made carpets.
Government-sponsored workshops target the tourist and "official delegation gift" markets,but the wools have short staples and make carpets that are more likely to shed fluff and become matted after cleaning.A popular design is the "Potala" rug,featuring a picture of the Potala Palace and intended to be hung on the wall.Carpet workships founded by foreigners use wool with longer staple lengths and high lanolin content,which make for a stronger content,but are much more expensive,and have not found much success.However,as an economic activity,Tibetan rugmaking provides valuable cash income for rural communities who weave in the winter months.Several overseas investors and NGOs are trying to encourage a revival of high quality local wool and natural dyes in Tibetan rugmaking.